The Research Center for Proxy Politics aims to explore and reflect upon the nature of medial networks and their actors, that is, machines and things as well as humans. The proxy, a decoy or surrogate, is today often used to designate a computer server acting as an intermediary for requests from clients. Originating in the Latin procurator, an agent representing others in a court of law, proxies are now emblematic of a post-representational political age, one increasingly populated by bot militias, puppet states, ghostwriters, and communication relays. During the period of the project (September 2014 to August 2017) the center will host a series of workshops at the Universität der Künste, Berlin, revolving around a wide range of relevant topics including the politics of digital networks, the political economy of crypto-currencies, the genealogy of networked thought, the mediality of physical landscapes and strategies of opacity. The center will also conduct material, experimental, investigations into the conception and construction of alternative networks, or alternets.
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(Workshop) 22/11 2016  4-6 pm @ Hardenbergstr. 33, Raum 115

Cloud Index

James Bridle

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Cloud Index is a weather prediction model that consumes vast amounts of historic weather data from satellites and correlates it with polling data on major political events, most notably the recent EU referendum. Bridle’s new commission for the Serpentine explores the connections between climate, behaviour and networks and uses the principles of weather divination and advanced neural networks to question our technological certainties and our democratic convictions. With Cloud Index, Bridle takes on the computing ‘cloud’ as the most pervasive and least understood metaphor of our times.

James Bridle is a British artist and writer based in Athens, Greece. His artworks have been commissioned by galleries and institutions and exhibited worldwide and on the internet. His writing on literature, culture and networks has appeared in magazines and newspapers including Wired, Domus, Cabinet, the Atlantic, the New Statesman, the Guardian, the Observer and many others, in print and online. He lectures regularly at conferences, universities, and other events. His formulation of the New Aesthetic research project has spurred debate and creative work across multiple disciplines. His work can be found at http://booktwo.org.

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